Author: jeph

1 episode in total ( around 20 mins)
Jun Yang, who has just staged his large-scale mid-term retrospective exhibition in Graz, Austria in early 2019, talked about his surprising works in the two episodes of the program. The first episode discusses his latest creation Bao Bin / Kakigori, a children’s picture book on the history of shaved ice, produced in collaboration with a Japanese illustrator. In fact, this picture book is a catalogue of a sculptural project. In the second episode, Yang talks about his real-life experiences and his participation in the management of ra’mien (a restaurant in Vienna, Austria)—it is not only an art project, but also a successful restaurant in reality.

13 tracks
tabla dubb is an audiovisual performance where music composed and performed by the artist (sampled spliced edited and processed tabla beats, generated tone patterns, processed frequencies) is mixed to a live edit of an archive of imagery shot and edited by the artist.

1 episode in total (around 29 mins.)
Dream is after Trip and Score the last of three pieces of the installation A million words away. The installation builds on REICHRICHTER’s research into forms of early conceptual art in the years after World War II in Taiwan.

4 episodes in total. (Duration: 20 minutes per episode)
Sweet Potato in the Air is a series of extended interviews from the program IsLand Bar in the 2019 Taipei Arts Festival. Each episode conducted an exclusive interview with a foreigner who has long resided in Taiwan. Treating the individual experiences of migration, dwelling, and identity as the point of departure, we invoke the metaphor of sweet potato to represent localization, discussing the localization in different aspects of our life experiences.

3 episodes in total. (Duration: 15-20 minutes per episode)
This project features a fictional radio show titled “UNCONTROLLED RADIO.” Different from ordinary radio programs that tend to broadcast single, linear sound messages without ambient sound, this show attempts to introduce the sound narratives like never before. Consisting of three different “stories” set in the radio station, this show offers the audience varied experiences when listening to the sui generis sound narratives.

1 episode in total. (Duration: 20 minutes)
Have you a vision-welled person ever imagine what the world is like to the visually impaired? This program The Vision Between Us will broadcast answers of interviews with visually impaired people and the vision-welled. We can only distinguish the oral descriptions of experience and imagination told by the both groups through the hearing sense that we only shared. The distinction between the visually impaired and the vision-welled will be blurred. Can we really tell the difference or distinguish a lack of visual experience? Perhaps, when prejudice is softly put down, what we see on what they see is just ordinary in varied ways as it should be.

3 episodes in total. (Duration: 15 minutes per episode)
Sound Route Project aim to use the idea of hypnotism as a prospect to discuss the affect of sound on human behavior. In the talks with professional hypnotists, Sound Route tries to create a discussion on different aspects relating to hypnotism and sound.

Yang Cheng is an electroacoustic performance and soundtrack artist.

1 episode. (Duration: 16 minutes)
This piece is the radio version of Teng’s installation work After All These Years (2017).

4 episodes in total. (Duration: 15 minutes per episode)
This program is a Minnanese program, in which the speaker introduces contemporary art to a fictional grandmother, using hies own broken ““grandmother tongue” to explain key concept from such a specialized field that is fettered in the official, colonized language.