鄭得恩 :死水 Dead Air

集數未定

死水 Dead Air

2020,世界爆煲,靜止,資訊氾濫,重整。混沌之後,會是開明嗎? Dead Air 有多dead? White noise 有多white?聆聽當下的音色的細節,發現它,發掘它,想像它,fill in the gaps,連接一分一秒碎片式的故事,找尋進入下一秒的可能,就像在一潭死水中,見證到細菌在滋生,體現它是宇宙一樣的活水。 這是一只魂魄在看心理治療師的經歷。

Stagnant Water Dead Air

2020, the world has exploded. Silence. Information overflows in reconfiguration. Will there be brightness after chaos? How dead is Dear Air? How white is White Noise? While listening to the nuances of sound at the very moment, try to perceive it, unpack it, and imagine it. Fill in the gaps. Connect the fragments of stories in this second and this minute, so as to discover the possibility to enter the next moment of time. As if, in the stagnant water, witness the birth of microbes, and experience it as the holy spring of the universe. This is an experience of a ghost seeing a therapist.

製作人:鄭德恩 Enoch Cheng

鄭得恩是獨立藝術家。作品關注城市生活的日常細節,使用的媒介涉及裝置、舞蹈、表演、策展、時裝和流動影像;探討命題包括地方、遊記、虛構、移民、人類學與自然歷史。現為亞洲文化協會Altius獎助得主,身處紐約擔任美國自然歷史博物館的駐地藝術家,研究自然科學與歷史。倫敦大學金匠學院創意書寫碩士,以及香港大學英國文學和藝術史學士。

Enoch Cheng is an independent artist. Concerned with the everyday subtleties in modern lives, his multidisciplinary practice—involving installation, dance, performance, curation, fashion, and the moving image—explores recurrent themes of place, travel, fiction, migration, human and natural history. Currently, in New York as an Asian Cultural Council’s Altius Fellow, Enoch is an artist-in-residence at the American Museum of Natural History researching natural sciences and history. He received his MA in Creative Writing at Goldsmiths, London and a BA in English Literature and Art History at the University of Hong Kong.