成立於2019年4月的網路廣播電台

Jiang Yu-Cheng: Audio Porn

5 episodes in total. (Duration: 20 minutes per episode)
If we treat porn as the greatest sustainable shared resource among human beings, it is highly vitality-consuming yet massively preserved and reutilized. This program addresses the question as to how to grasp the nettle to produce, steal, and eavesdrop porn resource from the perspectives of social milieu, laws, audio-visual industry, and audio service.

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Sun Yi-Cheng: Raw Sound Stream

Regardless how raw the sound and how weak the technology, Raw Sound Stream is going to give you the rawest demonstration by live stream online anytime. The program is broadcasted in an irregular manner by invisible artists, hard-working dreamers who have no time to dream, and geeks too shy to be present. Or, you can just tell me what you want to hear via e-mail. The sound stream is so raw that spiders cannot help but scream.

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Ting Liping: “Echoing Contemporar” Serie

2 episodes in total. (Duration: 15 minutes per episode)
Always in line with the original intention of art, “Soundless sound, Self without ego, Beyond the Egos”, OOO-Lab hopes through the sound art, to feedback to the contemporary society!
OOO-Lab, with poetry in live experimental music, through the sound of “stolen” inside of the contemporary art and society dialectical thinking, invite the dialogue between art and society.

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Interview with Jun Yang: I’m Jun Yang

1 episode in total ( around 20 mins)
Jun Yang, who has just staged his large-scale mid-term retrospective exhibition in Graz, Austria in early 2019, talked about his surprising works in the two episodes of the program. The first episode discusses his latest creation Bao Bin / Kakigori, a children’s picture book on the history of shaved ice, produced in collaboration with a Japanese illustrator. In fact, this picture book is a catalogue of a sculptural project. In the second episode, Yang talks about his real-life experiences and his participation in the management of ra’mien (a restaurant in Vienna, Austria)—it is not only an art project, but also a successful restaurant in reality.

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Hassan Khan: tabla dubb

13 tracks
tabla dubb is an audiovisual performance where music composed and performed by the artist (sampled spliced edited and processed tabla beats, generated tone patterns, processed frequencies) is mixed to a live edit of an archive of imagery shot and edited by the artist.

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Huang Ding-Yun, Henry Tan: Sweet Potato in the Air

4 episodes in total. (Duration: 20 minutes per episode)
Sweet Potato in the Air is a series of extended interviews from the program IsLand Bar in the 2019 Taipei Arts Festival. Each episode conducted an exclusive interview with a foreigner who has long resided in Taiwan. Treating the individual experiences of migration, dwelling, and identity as the point of departure, we invoke the metaphor of sweet potato to represent localization, discussing the localization in different aspects of our life experiences.

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((( UNCONTROLLED ● RADIO )))

3 episodes in total. (Duration: 15-20 minutes per episode)
This project features a fictional radio show titled “UNCONTROLLED RADIO.” Different from ordinary radio programs that tend to broadcast single, linear sound messages without ambient sound, this show attempts to introduce the sound narratives like never before. Consisting of three different “stories” set in the radio station, this show offers the audience varied experiences when listening to the sui generis sound narratives.

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Jian Ming ZHU: The Vision Between Us

1 episode in total. (Duration: 20 minutes)
Have you a vision-welled person ever imagine what the world is like to the visually impaired? This program The Vision Between Us will broadcast answers of interviews with visually impaired people and the vision-welled. We can only distinguish the oral descriptions of experience and imagination told by the both groups through the hearing sense that we only shared. The distinction between the visually impaired and the vision-welled will be blurred. Can we really tell the difference or distinguish a lack of visual experience? Perhaps, when prejudice is softly put down, what we see on what they see is just ordinary in varied ways as it should be.

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